How do music festivals adapt to a pandemic? They Fest in Place, in fact


Ben Gibbard, I salute you for doing an at-home live-streamed live performance each week from March by means of Might as all of us adjusted to the quarantimes.
Like so many present realities, nobody might’ve seen “musicians as the brand new Twitch stars” coming again in January. But within the early days of the COVID-19 pandemic, the music business relied closely on livestreams—usually only one artist in a room with webcam doing an acoustic efficiency.
In our ever-connected current day, it was the adjustment of least resistance. At first, there was some novelty to seeing artists like Dying Cab for Cutie’s Ben Gibbard interacting with followers within the chat and taking an occasional request. However this summer time, very long time New York Occasions music critic Jon Pareles succinctly summed up the viewers expertise for this impromptu livestream period: “So many good intentions, so little pleasure.”
When the bedrock of the music business—concert events and music festivals—turns into unattainable, although, what can anybody do? Drive-in reveals have not too long ago develop into a factor, however these cannot replicate the sheer scale (variety of artists, levels, or followers) of even the smallest US music festivals. Most occasions merely embraced the livestream, just like the annual counter-SXSW programming of Willie Nelson’s annual Luck Reunion pageant reworking right into a coordinated set of at-home performances.Learn 18 remaining paragraphs | Feedback



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